Tourism—A Visit to the Abbey


Europe’s Great Cultural Ensemble

Melk has been a spiritual and cultural center of the country for more than 1000 years, first as a castle for the Babenbergs, then from 1089 as a Benedictine monastery, founded by Margrave Leopold II.
Since the 12th century a school has been connected with the monastery, and valuable manuscripts have been collected and created in the library. In the course of the monastery’s history, members of the Melk monastic community have achieved significant success in the fields of natural science and the arts.

In the 15th century, the monastery was the starting point of one of the most important medieval monastic reforms, the “Melk Reform”, and had close ties to the Humanists at the University of Vienna.



Visual evidence of the monastery’s importance in the Baroque as well as of the outstanding status of the abbot at the time, Berthold Dietmayr, is the magnificent baroque building. This was built between 1702 and 1736 following plans by Jakob Prandtauer and with the cooperation of some of the most renowned artists of the time.

For over 900 years monks have continued in the tradition of St. Benedict without interruption in the fields of parish life (23 parishes belong to the monastery), school (secondary school with ca. 800 pupils), economy, culture, and tourism.
Since its beginnings Melk has been an important intellectual and spiritual center of the country.

The numerous visitors to the building pose a pastoral challenge to the monastery, a desire to make them realize that in every period and genre of art, the artists wanted to call attention to God through their works (“Ut In Omnibus Glorificetur Deus”—So that God is honored in all we do).

The magnificent baroque building has been undergoing extensive restoration work since 1978, and large-scale adaptations have been carried out for the areas of the school, the guest house, culture, and tourism. In this way  Melk Abbey presents itself to visitors today as one of Austria’s highlights and as Europe’s great cultural ensemble.

The New Abbey Museum

Aufgang Kaiserstiege

The imperial rooms are currently home to the most modern abbey museum in Austria. The topic of the exhibition is “On the Way from Yesterday to Today”—Melk Abbey in its Past and Present.


Detail Kaiserstiege


The architect of the exhibition is Hans Hoffer, who, among other achievements,  also designed the “Klangtheater Ganzohr” in Vienna and has directed the “Klangwolke Linz” several times.
His architecture is based on a moderate production, intended not to reduce the power of the artistically valuable objects, but to emphasize their importance for the over 910-year-long Benedictine monastic history of Melk through the new presentation.

Melker Kreuz     Schädelreliquiar (Hl. Agnes?)     Kolomanimonstranz

The varied design of the rooms creates a very lively narration of a long history with all its ups and downs. Current happenings in Melk Abbey are shown with contemporary methods, for example, video presentations. To present the economic and construction history in an interesting way, computer animations were created by Ars Electronica Center Linz—Future Lab.
In the course of the alteration of the imperial rooms for the new abbey museum the magnificent inlayed wood floors were also restored, and remain partially visible in the new design of the museum.

The first of the designed rooms begins simply, the visitors gathered around a long wooden table, with the first word of the rule of St. Benedict: LISTEN!
The language of the objects becomes more and more dense until the High Baroque, and then appears emptied out in the period of Josephinism, reduced to bare rationalism. From the Enlightenment one lands in the modern world of today.


Hl. Benedikt

Dornenkrönung und Verspottung Christi - Detail aus dem Jörg Breu-Altar

Visitors are surrounded by rooms designed in various ways through architecture, light, sound, and new media; embedded in these total surroundings the sensitive language of the original objects and texts can be found.
The diverse techniques in the exhibition are used dramatically sparingly, and result in a complex entirety which reflects life in the monastery. The ideas behind the construction were created in discussions with Abbot Dr. Burkhard Ellegast and Father Martin Rotheneder.
The circle of the design closes in a dialogue between a multimedia installation with the theme “Whole People” and the wonderful gothic winged altar by Jörg Breu. The display of “Man and God” as never-ending movement shows us the permanent endeavor of our existence.


The Prelate’s Hall with its baroque painting gallery is one of the most beautiful rooms in the monastery. It is not open to the public, but is used by the abbot for representative purposes.


During a visit to the abbey, in addition to the imperial rooms one can see the Marble Hall and library, masterworks of baroque room design with famous frescoes by Paul Troger, as well as the terrace with a wonderful view of the Danube scenery and the western facade of the abbey church. 
Highlight and end of the visit is the abbey church. Artists such as Jakob Prandtauer, Johann Michael Rottmayr, Paul Troger, Antonio Beduzzi, Lorenzo Matielli and Peter Widerin created with many others a synthesis of the arts to the glory of God, an unparalleled, indisputably classic example of Baroque.

Educational museum tours

Educational museum tours for school groups can be given in two specially designed separate rooms. Special effects using light and motion are used to tell the story of the monastery, the Benedictines, and especially the story of St. Coloman.

   Abbey Park and Garden Pavilion

The abbey park and the garden pavilion can be visited daily from
May 1st to October 31st from 9:00 a.m. to 6:00 p.m.

Blick zum Gartenpavillon

Blick zum Gartenpavillon

The exterior grounds were renovated and revitalized for the Lower Austrian State Exhibition in 2000. As the third part of the exhibition, these areas were open to the public for the first time, and were an area that visitors greatly enjoyed. Due to the great demand, Melk Abbey decided to continue to make these areas available to the public.
The baroque garden pavilion with its famous frescoes by Johann Wenzel Bergl can also be seen.


Detail aus den Bergl-Fresken

Detail aus den Bergl-Fresken

Detail aus den Bergl-Fresken

Detail aus den Bergl-Fresken

Die Entdeckung Amerikas im Ostfllügel des Gartenpavillons

The abbey park was designed as a baroque park in 1750 and in 1822 the majority was replanted as an English landscape garden. In 1995 the large revitalization project was begun, which also included the creation of a garden of paradise and a campfire site.

Blick durch die Südallee des Parks auf die Kuppel der Stiftskirche

Blick vom Paradiesgärtlein auf das Stift

250 Jahre alte Linden

A special attraction of the abbey park are the 250-year-old linden trees on the third level.

Feuerstelle in der 2. Etage des Parks

neobarocker Pavillon in der 3. Etage des Stiftsparks


Miguel Horn
"Ferrum Mysticum - Fantasien in Eisen"

ca. 70 Eisenskulpturen

geöffnet 1. Mai bis 31. Oktober 2002

Miguel Horn
1948 in Passau geboren.
20 Jahre in Chile.
10 Jahre Studien- und Arbeitsperioden in Italien, USA; Frankreich, Mexiko und BrasilienSeit 1981 Bildhauer in Neuhofen an der Ybbs

Markant für Miguel Horns Schaffen sind die schematisch einfachen Maskengesichter, die an Wasserspeierfratzen an mittelalterlichen Domen erinnern.
Faszinierend sind auch die aus einigen Eisenteilen komponierten Mensch- und Tierfiguren.

Die Hauptwerke der Ausstellung sind vier Eisenskulpturen, die jeweils fünf Meter hoch sind und allegorische Darstellungen der vier Jahreszeiten zum Thema haben. Diese Skulpturen wurden für das Most4telsfestival im Jänner 2002 in Lunz geschaffen.

Das Werk Miguel Horns ist geprägt von engagiertem Auftreten für die unterdrückte und gedemütigte Kreatur. Die Ausbeutung der Erde und die Ausrottung der indigenen Völker sind Themen, denen er sich in seinem Schaffen annimmt, ohne Konfrontationen zu scheuen.

Der "Platz der vergessenen Völker" auf historischem Boden in der Ostarrichi-Gemeinde Neuhofen an der Ybbs ist ein Beispiel dafür, wie Horn Einsatz und Protest gemeinsam mit Lösungsvorschlägen in einer Skulpturengruppe manifestiert.

Ausgestellte Werke
Frühling - Phoenix aus der Asche. Nach dem Winter, der Zeit des Sterbens, stehen alle Urkräfte aus der scheinbar toten Natur wieder auf und drängen mit einem unbändigen Willen wieder zum Leben.
Sommer - Übermut Sorglosigkeit und Tanz münden in eine übermütige Ausgelassenheit. Die Zeit der Freude und des Feierns. Im Überschwang allerdings wird ein sorgloser Umgang mit der Natur, ihren Ressourcen und mit anderen Werten betrieben.
Herbst - Genuss
Wer kann die Früchte wirklich noch dankbar genießen? Der Genuss verkümmert zur üppigen Konsumation und zur Sucht.
Winter - Letztes Aufbäumen
Zeit des Sterbens. Zeit der Zerstörung. Tödlicher Aufschrei der gepeinigten Kreatur und Natur. Geld, Machtgier, Brutalität bis zur Besinnungslosigkeit, bis der Winter auch in die Herzen der Menschen eingezogen ist. (Tonnenweise werden Kühe verbrannt.) Es schreit und stinkt zum Himmel.

Spielzeugtiere (Miguel Horn für seine Kinder)

Einsam und ausgeschlossen

Zwei Verliebte
(Weißer Marmor, 1979)

Der Sommer

Zwei Spielende
Figur 1 (1998)

Zwei Spielende
Figur 2

Musiker der Gruppe
Michael Jackson und seine Band

Michael Jackson und seine Band